Among the most historically rich recipes from ancient Mesopotamia are the instructions for making glass imitations of precious stones. To date, we have recorded over 1200 semantic interactions, which have greatly aided our understanding of the technical terminology of ancient glass-making. However, it was not the technical terminology of Assyrian glass-making that first attracted scholars to these texts.
In the mid-1920s, Assyriologists (philologists specializing in cuneiform) and scholars of the ancient world engaged in a heated debate concerning the historical beginnings of the eld of chemistry. When they encountered clay tablets from ancient Mesopotamia containing instructions for making glass, these scholars split into two groups. the first group characterized the cuneiform glass-making recipes as “chemical” and the second group as “alchemical.”
Much of the debate between these two groups hinged on one particular term, a deity known as Kūbu, to whom sacrifices are made on the day that glass is to be made in a kiln. For those in the “alchemical” group, Kūbu were interpreted as homunculi (an artificially made humanoid known from later alchemical texts). According to our reading, Kūbu are to be understood in both magical and metaphorical terms; their purpose was to maintain the glass-making process free of physical (and metaphysical) impurities, as indicated in the writing of Kūbu itself, which utilizes the cuneiform sign for purity, ku3 𒆬.
Read a glass making text by clicking the tablet below:






